FREDERIC ZIGANTE VILLA LOBOS PDF

Listen to Villa-Lobos: Complete Solo Guitar Works by Frédéric Zigante on Deezer . With music streaming on Deezer you can discover more than. View credits, reviews, tracks and shop for the CD release of Villa-Lobos: Complete Guitar Music on Discogs. Find album reviews, stream songs, credits and award information for Villa-Lobos: Complete Guitar Music [ Recording] – Frédéric Zigante on AllMusic –

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I live between two beautiful Italian towns: Have you ever tried playing a different instrument?

Frédéric Zigante

Community Links Countries Recording Services. Just imagine what would happen if someone went to a museum and decided to change the colors on a painting: People need to be educated about classical music, before they can ziggante appreciate it. A good live performance requires good technical standards and acceptable contents for the audience. The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability.

About Our aim The team History. This is what some performers do sometimes, they even cut off some parts of the works!

Frédéric Zigante: Villa-Lobos: Complete Solo Guitar Works – Music Streaming – Listen on Deezer

But his power can be lovos and he can destroy music, modify it or misinterpret it. It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text. The hardest part about being a musician is to often be alone and the best is to get emotion during a performance.

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What or who was your biggest influence as an artist? How would you describe the relationship with your instrument? And yet, he is by no means an anachronism. What constitutes a good live performance in your opinion? This is how an interpreter and a composer can cope to “travel” together without any conflict. Interpretation is villz task: With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question!

What really makes freferic difference is the music that is written for it. Behind this desire for integrity hides no pathologically prolific mind, frdeeric a man who searches for profundity and who wants to use the power of interpretation to the good. What would be on your program for this season? You are given the position of artistic director of a concert hall.

Ziigante would probably be a medical doctor or a politician. How do you balance the need to to put your personal emotions into the music you play and the intentions of the composer?

After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea. I haven’t noticed any crisis.

If a perfomer has nothing to say and simply plays the music, lobow should stay home. First I need a contract then I shall begin thinking about it! But I know that I shall certainly not: Someone who takes care of other people’s problems. Is there a crisis?

Villa-Lobos: Complete Solo Guitar Works

Complete editions are Frederic Zigante’s specialty: This is the way to discover beauty in all music, not only classical. The one that mediates between the written text and the auditors.

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If yes, how good were you at it? An interpreter has a great power in his hands because without him the work has no life and can’t be heard. During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. I am a little bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages. False, the only thing about which people need to be educated is listening with curiosity: There are still so many works to be discovered and recorded even for instruments like the guitar.

I play both baroque and classic guitar and I consider them two different instruments. You need to see the whole picture here – after all, that is what Frederic Zigante is all about. My father and my brother Manuel.

In essence, his tendency for established values and the ongoing fascination for the infinite possibilities within the purity of a piece is not a sign of conservatism – but rather of class.

What really matters is to transmit emotions and feeling. What do you tell them?